Wednesday, July 30, 2008

I'm contributing to another blog





The blog is called Pooing-in-Austin and it features toilets of local rock clubs, restaurants, and beyond. I think it's a hoot. My contributions are attributed to "Butter," kind of a pen name.

http://pooing-in-austin.blogspot.com/

Here's what I wrote for a great bar in East Austin, Barfly's.


We love Barfly's the most: cheap drinks, friendly staff, cool
regulars. And how about this awesome ladies' room! Even the lone
toilet can't dampen our enthusiasm for what may be the most perfect
place to poo in East Austin: four toilet paper holders are always
stocked, and several rolls wait in position to be called into duty
(heh). There is a cute little waiting room which can fit two friendly
ladies, but the actual terlet is built for one, meaning you can poo
freely and often. 9 out of 10.

Wednesday, July 23, 2008

my blog got a mention on NJ.com!

What a thrill! Even more hilarious since just a short while ago I was a columnist and the social reporter for the Trentonian, which was frequently written about on NJ.com. Now I'm just an Austin blogger giving props to awesome pizza which reminded me of some of the best part of New Jersey: the pizza.

http://www.nj.com/hobokennow/index.ssf/2008/07/hoboken_pizza_winning_fans_acr.html

Hoboken pizza: Winning fans across the country
by Jason
Monday July 21, 2008, 10:45 AM
austinisdelicious.blogspot.comAustin is Delicious blogger snapped a photo of a slice at her favorite pizza spot, Hoboken Pie

We all know that pizza is not just a snack food in Hoboken but a serious matter - an art, perhaps; a craft, certainly.

Debates over where to get the best slice, what makes the best slice, who can even summon the gall to make a claim about the best slice, will probably go on forever. But it's nice to know that even in Texas, they appreicate one of Hoboken's finest offerings.

Over at the blog Austin is Delicious , which seems to be about food that is either purchased or made in the capital of the Lone Star state, Hoboken is respectfully held up as the arbiter of taste when it comes to pizza.

The site's author, Alexandra Richmond sings the praises of Hoboken Pie, a new pizza joint in that city that not only has great pizza but, in her words, real "East Coast cred."

one owner hails from the great state of New Jersey, where pizza is no joke. Hoboken Pie's most triumphant salute to New Jersey is the pizza, which will please even the most jaded Austinite tired of sad pizza with no attytood.

Apparently, photos of Sinatra and "other Hoboken cultural icons" adorn the walls as well.

It's nice to know they appreciate one of the Mile Square City's finer exports.

Should we tell them about Texas Arizona?

Tuesday, July 15, 2008

PE @ Pitchfork fest/farewell, Fuzz.com


Startups are so hard! Fuzz faltered after almost two years of trying to support artists and provide social networking for bands and their fans. This is my last story for them.


As if the Pitchfork Music Festival (http://www.pitchforkmusicfestival.com/) didn't already hold enough thrills, the Future of Music Coalition (http://futureofmusic.org/events/pitchfork08/index.cfm) will hold a panel discussion on Public Enemy's seminal hip-hop album "It Takes A Nation Of Millions To Hold Us Back" on July 17. The group will perform the album in its entirety on July 18th.

Icon Chuck D will join Hank Shocklee and Keith Shocklee — one half of Public Enemy's production unit, the Bomb Squad — to discuss how they developed their sonic assualt on the cultural landscape. Harry Allen (journalist, activist, and PE "Media Assassin") will also participate in the panel, which will be led by documentary filmmaker Kembrew McLeod

We caught up with Kembrew for this quick Q&A:

Fuzz: Kembrew, you're an established agitator, academic, and documentary filmmaker. What can music fans expect from the panel you will moderate during the Pitchfork festival?

Kembrew McLeod: As moderator, my job will be to move the discussion forward so that we can cover a wide range of topics. The members of Public Enemy will be the stars of the show, and because I've done several interviews with the individual panelists over the years, I know what topics will be of interest to both them and the audience. In addition to having them tell us about the fascinatingly innovative ways they put together their music in the studio twenty years ago, we will also talk about the cultural and political contexts they were reacting to in the 1980s, which their music was a part of.

Fuzz: Are there any acts in particular you're looking forward to seeing during the fest?

KMcL: I'm looking forward to seeing PE, of course, but aside from that I'm looking forward to seeing several artists, including: Dizzee Rascal, !!!, Fleet Foxes, Spiritualized, Ghostface & Raekwon, and Jarvis Cocker, to name a few.

Fuzz: Have you ever shared a stage with PE before?

KMcL: I've shared a panel stage with Hank Shocklee before. But as for a concert, the closest I've ever come to sharing a stage with PE was when Rob Base & DJ E-Z Rock (of "It Takes Two" fame) opened for PE in 1990, and they invited the audience onstage to dance. I bum rushed the stage and busted a few moves, but it became clear that Mr. Base was only looking for the ladies to come up, so I meekly crawled off stage.

Fuzz: In PE's tradition of calling out devils, is AT&T the worst company currently doing business in America, or do they have peers?

KMcL: In terms of media companies, I'd say Comcast tops the list, given that they had been secretly blocking or slowing down p2p traffic, though Verizon also made my shit list when they blocked text messages sent out by the abortion right group NARAL last year.

The panel discussion with Public Enemy takes place one day before they reunite to play "It Takes A Nation Of Millions To Hold Us Back" in its entirety at the Pitchfork Music Festival. Admission to the event is free, but reservations are required. Email rsvp@pitchforkmusicfestival.com.

FMC and Pitchfork Music Festival Present:
It Takes a Nation of Millions to Hold Us Back
Chicago Cultural Center, Claudia Cassidy Theatre
Thursday, July 17, 2008, 3 pm

Friday, May 23, 2008

foxboro hot tubs at emo's


"Secret" Green Day Show Stuns Austin
By Alexandra Richmond

On Wednesday night, the news leaked via the web and the radio: Green Day, under the alias Foxboro Hot Tubs, were to play the inside stage at Emo's, with a capacity of only 320 people.

People started lining up for tickets ($20, available only at the door) at 4am, waited all day in a dumpster-studded alley in almost 100 degree heat. Tickets sold out almost instantly. The sound check was zealously guarded. There was no guest list. Even an 8-year-old fan was turned away. The show was early (started at 8pm, over well before midnight), but sadly to some, not all ages. Austinites said they had never seen Emo's on such lockdown since Johnny Cash played there during SXSW in 1994 (to, we hear, just 200 people).


Okay, so the true identity of Foxboro Hot Tubs wasn't a much of a mystery - it's out there on their Wikipedia entry. They launched in 2007. Band members include Billie Joe Armstrong, Mike Dirnt, Tre Cool, Jason White, Jason Freese and Kevin Preston. Though their album, Stop Drop and Roll, is available now, a more casual listener may have thought they were not listening to Green Day. FHT have a 1960s garage rock and roll aesthetic; the album has no biographical information nor pics of the musicians. Their Myspace (http://www.myspace.com/foxborohottubs) page already has over 22 thousand friends. Green Day fans paying attention knew.

Foxboro fan Josh Massie, 20, hung around Emo's after the show to try and get his poster, made by Austin screenprinter Billy Bishop, signed by the band. He drove about 5 hours to see the show and waited for 20 hours for his ticket. Massie works for FYE and got the album when it came out on May 20th.

Massie said, "I was aware Foxboro Hot Tubs were Green Day. They have the same energy, just under a different guise. They always bring it."

The band played the album in its entirety, then did a set of 60' garage covers, according to Massie. "The place went crazy when they played 'Blood, Sex and Booze'."

Foxboro Hot Tubs remaining tour dates:
May 25 2008 8:00P The Brick House Pheonix
May 26 2008 8:00P Belly Up Tavern Solana Beach, California
May 27 2008 8:00P The Roxy West Hollywood
May 28 2008 8:00P Alex’s Bar Long Beach

Monday, May 12, 2008

new work updates


So far I'm freelancing regularly for the Austin-American Statesman, the Onion/A.V. Club, fuzz.com, and now, for the Comedy Central Insider - a blog by and for comedy nerds (ahem).


This was my first piece for them.
http://ccinsider.comedycentral.com/


Judah Friedlander: World Champion
By Alexandra Richmond
30 Rock's Judah Friedlander is also brilliant yet stealthy character actor - you saw him as the ultimate nerd, Toby Radloff, in American Splendor, and will again in this summer's Eddie Murphy CGI blockbuster Meet Dave (http://www.meetdavemovie.com/). Unlike his character on 30 Rock, Frank Rossitano, Freidlander is not a writer for television, but Friedlander was out on the picket lines, protesting. Did you also know he makes all the hats he wears on-screen, and knows at least four kinds of martial arts? We caught up with him right before he heads out on a national tour, kicking off with a sweet headline gig at Caroline's May 15-18. Learn how to be his Myspace friend at http://www.judahfriedlander.com.

Comedy Central Insider: Hello, World Champion. How are things?
Judah Friedlander: Pretty incredible. Just being a winner in America.

CCI: Congrats at weathering the writer's strike.

JF: It was pretty intense, and really busy even though we weren't working. It was non-stop monitoring on the web, and talking to friends about what the new developments were. The best part, if there can be a good part beside that it's over now, was meeting people on the picket lines. One guy I already knew, a screenwriter, Brian Koppelman. He wrote Rounders, Oceans 13, Runaway Jury,
It was fun running into him. I met Michael Moore, I never met him before. it was just fin, a bunch of other people. I met some if the writers at Conan O'Brien, Seth Meyers was always there, every day. It was cool. I mean, a bad situation but it was good to be out and lend support. t I went out as a SAG supporter
Besides writing my standup comedy, I write a blog for 30 Rock. That's all written by me, I take the photos. They give me total freedom on that. I'm not actually a writer on the show.

CCI: Salieri, Mozart's "brother," was mentioned in a recent plot line on 30 Rock. Tracy Morgan accused you of being Salieri when you told him his porno video game couldn't be made. Have you ever been accused of being professionally jealous of a peer before? Does this happen a lot in the comedy world?

JF: That was one of my favorite plot lines. So fun. But professional jealousy, hmmm. I don't think I've ever been accused of being jealous before, I don't think so. I don't get in into tiffs with people, I 'm usually pretty mellow.

CCI: Not even a, "you're stealing my bit" beef?
JF: That has happened before, but I never stole anyone's bit. I've had some people come up to me and say, "that's so and so's" but I would always talk to that so and so in question, and they'd say no, that isn't mine at all. I got a Myspace message from someone that said I had stolen a but from fifteen, seventeen years ago and he said I was stealing his bit. They were in fact similar, but mine adds more to it. I said I would stop doing it anyways. I'd rather not do anything similar to anyone else. One time a guy emailed me and said I had stolen a joke from Sienfeld. I ran it by some Seinfeld writers - I had worked with them on the movie Live Free or Die - and wrote back to the guy and he said, "Wow, I was just fucking around." He didn't even think I'd respond.

CCI: How did you prepare for your role as Toby Radloff?
JF: That was a lot of work, a lot of preparation. I went online, read about Toby, got the copies of American Splendor. I collect rare movies and found two of Toby Radloff's early films, Killer Nerd, and Bride of Killer Nerd. They were hard to get then, now Troma has re-released them on a double DVD. Back then they were very hard to find. So I studied Toby on those, went in for my first audition, it went very well. After I got the part the directors Shari Springer Berman and Robert Pulcini gave me some footage on Toby, his cable access show, footage of him hanging out at comic conventions. I got all of his mannerisms and physicalities. I met him the night before we started filming. He told me his whole life story. That really helped with getting the psychology of Toby. He was on set sometimes, He wasn't there every day. And, the way I look on 30 Rock is how I looked when I got cast in American Splendor. I had a hair person who cut and styled my hair to look like his. Movies usually have that, a hair stylist.

CCI: So tell me about your new movie with Eddie Murphy. Meet Dave. It looks pretty CGI-y and intense.
JF: Yeah, I'm looking forward to seeing the final cut. I'm a pretty big special effects geek. I play a guy who's one inch tall, he's the engineer of the spaceship. a lot of my scenes were green screen. A lot of them are just me talking to the camera, talking to Dave. I'm like Scotty on Star Trek. It's a little bit of that dynamic.

CCI: Are you located in his head?
J: I would imagine I'm somewhere in his stomach. I think I'm all business. I'm every unemotional person, just work work work, toiling away down there.

CCI: Is Caroline's a second home to you? How many second homes do you have, all total?
JF: Caroline's is great, I play there the 15th to the 18th. I only headline that twice a year. I'm a NY based comic and have been for about 19 years. Most of the clubs are showcase clubs. Carolines, I pop in there twice a week. Headlining is a lot of fun. Comedy Village is closing, that was one of my favorite clubs. Comedy Cellar is my favorite late night place to go. There's the Comic Strip, all the main clubs I go to a lot. I'm probably leaving out a couple and they're gonna be at pissed me. Comics! That's the new one.


CCI: How many hats do you sell annually?
JF: Oh, I don't know. I don't sell that much. I'm not real pushy. It's there as people want it.
CCI: So them how many do you make?
JF: For 30 Rock I average three hats per episode. Sometimes it's five. That's something I brought to the show. I make all the hats. Some are in jokes and some are just flat out jokes. One the hat said K FAYFB. it's a wrestling slogan, it means stay in character. Like, Hulk Hogan and the Sheik. You'd never see them out after a bout, having a beer. That wouldn't happen.

CCI: Are the hats rare collector's items?
JF: It all depends on you, maybe they are. The ones I wear in standup is how I'm the world champion, I bang a lot of chicks and am a role model to a lot of children around the world. The hats I sell doing standup say "world champion," "campion del mundo," "world runner up." one says "regional semi-finalist," because you can't always start at the top.

CCI: Final question: Why are you so awesome?
JF: Well, I'm an American. my parents raised me right. I don't do drugs or alcohol, and - this is from my act - I drink water concentrate. I eat Wheaties for dinner. I'm a winner.

Wednesday, April 9, 2008

New Resume/New Start of the "Real" Job Hunt

I've redone my resume in a CV format and applied to several jobs in the Austin area; four via Craigslist, one through Monster that went directly to the employer's site.

This blog mainly serves as a placeholder to track my results.

Am gonna hit up a few more places today via the Austin Advertising Federation's jobline.

Freelancing is going really well - The Onion/A.V. Club here hired me. So now I have Fuzz.com, the Statesman, and the A.V. Club all on regular rotation. I love freelancing and the lifestyle, but I want more money and to be more challenged. I want to do more work.

Monday, February 18, 2008

Being Promoted and Headhunted

jobs keep falling into my lap here in Austin. Fuzz is set to launch its online mag (work I've been looking forward to since the end of 2007!). I've sent in a few stories for the designers to use as they spec out the site. Can't wait til the launch.

SXSW brought to me a plum gig from the Future of Music Coalition. Am extremely stoked as not only does the gig pay nicely, but I get a laminate.

This morning I g ot a call from a new Austin company that came here from Washington state. I sent them a ton of clips, hopefully I'll go in for an interview this week.

My gig at the One World Theatre is nudging me towards a manager position. Amazing.